That first five hours of magic and stunning word count production is a thing of the distant past. The Second Project was rudely interrupted by LIFE, and now I am having a difficult time getting back into it. I sat down late Saturday evening, once supper had put the rest of the household into a nice quiet coma, and tried to ease back into the z-fic rewrite. It was then that I was brought face to face with one of the problematic issues of this story that nagged at me way back when: First person, present tense.
This is one of three stories that “came to me”, in the main character’s voice. I am not pretending to be clairvoyant, nor am I attempting to convince anyone of mumbling creative guru nonsense when I say such things. I am speaking with plain honesty, regardless of how ridiculous it might sound to experienced writers out there—I literally heard, “My name is Holly, and I have a bizarre story to tell”.
Okay. Enough of defending that. It is what it is.
Holly is not real big on descriptive details. I like descriptive details. I like texture, nuance. I am fond of the waxing poetic. I want to know about the guy who calls her Holly Girl. Who is that, he seems so dedicated and sweet while she treats him like a thorn in the side so I ask who what where and why, and Holly says shut up and keep moving. I want to know more about the raspy, lyrical voice of her grandmother, and Holly says listen to the words, shut up and keep moving. I want to explore the origin of her killer instinct and correct her on some the cliches she’s prone to spout and Holly says we’re all going to die, shut the fuck up already.
I’m stubborn, and after all, I’m the one writing this stuff, so I explore anyway. I discover some amazing things which I believe are vital to the tale and I begin interjecting. But Holly’s first person present tense isn’t really flexible enough to do all the things I want to do. Reading back passages of the story, I hear clanging noises.
So, I am awake at 4 a.m., wondering how to fix all this. Let’s ask Google. Google points me to a Writer’s Digest article entitled “The Pros and Cons of Writing in Present Tense”. I expect to find solutions to these problems in this article written by knowledgeable writing writers. What I find is the declaration that only the immature writer insists upon first person. First person is somewhat faux pas. And one of the few ‘pros’ to writing in first person is that it simplifies the handling of the twelve tenses. Twelve?
How many English courses did I take? About twenty thousand dollars worth. I do not have any memory of twelve. No one is going to give me a refund. How disappointing.
I guess I’ll go do what Holly tells me.